Tag-Archive for » Amit Trivedi «

After last year’s hit, Fashion, Madhur Bhandarkar is back with his latest feature film, Jail, starring Neil Nitin Mukesh and Mughda Ghodse. The film will release on Novermber 6th, 2009. Let’s get straight to the music review. The album comprises of 8 tracks, out of which 4 are original and 4 are remixes. We’ll talk only about originals.

Jail Music Review

1. Sainya Ve

The song starts with a strong guitar intro with Toshi on the vocals. Music is by the duo Sharib and Toshi and they have also written the lyrics. The song has nothing special about it and moreover, you’ll get the vibe of “Maahi Ve” of Raaz 2 during the song. Beat is ordinary and so are the lyrics. Nothing innovative.

2. Milke Yun Laga

Milke Yun Laga has been also composed by Sharib and Toshi but this time, it’s Sharib on the vocals. This song is better than Sainya Ve; both in terms of music and lyrics. Just like Sainya Ve, guitar is the important component of the song. But, the beat is worth listening this time. But, it’s not upto the standards of today’s songs like Dhan Te Nan or any Pritam number.

3. Bareily Ke Bazaar Mein

After two tracks by Sharib and Toshi, Bareily Ke Bazaar mein has been composed by Shamir Tandon. As you can get an idea from the title, this is a song which might have worked like 10 years or something but this is an utter disappointment. I don’t even think this song will look good as a situational song. The only saving grace can be the male’s voice in the song as it gives a raw touch but everthing else is unpalatable.

4. Daata Sun Le

Wow, hearing a song from Lata Mangeshkar is such a nice surprise! Daata Sun Le works only for one reason, Lata Mangeshkar. This song has a lot of potential but the mediocrity of the composer, Shamir Tandon, can’t take the advantage of Lata’s voice. You give the same song to A.R. Rahman, Salim-Sulaiman, Amit Trivedi or SEL, you have a masterpiece in your hand. Lyrics are touching but as I said earlier, music is really average.

A song creates magic when Lyrics, Music and Singer’s voice compliment each other which is clearly not happening in this case. A lost opportunity!

Final Verdict

On the whole, the soundtrack of Jail is a disappointment. Madhur should have sticked to Salim-Sulaiman. But, if we go by the subject of the film, I don’t think movie needs a song anyway. If they are using these songs as background music then they are in trouble. Only Daata Sun Le has some chance to catch your attention otherwise every song is unpalatable. Better luck next time.

Rating – and half

Cast – Neil Nitin Mukesh, Mughda Ghodse

Music Director – Shabir and Toshi, Shamir Tandon

Movie Director – Madhur Bhandarkar

Post your comments, reviews and suggestions in the comment box below and I’ll reply to them.

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Let me first start by saying that Wake Up Sid is the best film of 2009, with Kaminey. It’s a movie with a big heart and works because of its simplicity.

Wake Up Sid

The story of the movie is about a college student, Sid, played by Ranbir Kapoor, who is simply careless about everything, from studies to relationships to his own future. This is because his dad (Anupam Kher) is a rich businessman who gives Sid more than enough money to spend. After giving his final exams, Sid tries to go to office but leaves that, too, within a week.

The story of Aisha (Konkana Sen Sharma) is going on with his story. Aisha is a girl from Kolkata who came to Mumbai to make her dream true of being a writer and to be independent. Both of them meet in a party and soon become friends. But, when the result of Sid comes out, things go awry. He leaves his home and starts living with Aisha, and this follows the tale of the waking up of Sid.

Technical Stuff

The director of the movie, Ayan Mukerji, who is a debutant, makes a great impact with his strong story telling talent. His script is really good and filled with humour. One thing which goes with the script is that it is not too preachy. It says what it wants to say very subtly. Direction is top class. But, the second part lacks pace while first half is pure awesomeness.

The most important thing which goes with the movie is its relativity. It doesn’t matter if you are a 20 year old guy or 60 year old uncle, you can relate to Sid mainly because you might have experienced the same thing during your time, too. Wake Up Sid is a very realistic movie and it shows the attitude of the youth very clearly. Scenes are very powerful and the one which involves the confrontation of Anupam Kher and Ranbir Kapoor is pure class!

Music is too good. I know a lot of people were complaining about music being too ordinary, but when you listen to the songs as background score (another master stroke by the director), you’ll love every song. The ones that stand out are “Iktara” and “Wake Up Sid”. Kudos to Shankar Ehsaan Loy and Amit Trivedi.

Cinematography is really good and so is the editing.

Acting Department

Now let’s come to the acting department. First things first, out of all the new age actors, only Ranbir Kapoor knows the art of acting. He’s so natural and there is no way you can’t relate to the character he portrayed. You can see the dilemma he is going through and he totally sucks you into his world. Well done, Ranbir! I’m really looking forward to the nominations this year.

Konkana Sen Sharma is as usual great but she somewhat reminded me of her performance of Luck By Chance. There was not much difference between the two, apart from the looks. But, nevertheless, a great performance.

On the supporting cast, Anupam Kher and Supriya Pathak (mother of Sid) shines. It’s really nice to see Anupam Kher doing a good role after the disastrous Dil Bole Hadippa. Rahul Khanna as Konkana’s boss has done a good job.

Final Verdict

Wake Up Sid sets another example for the new age cinema of Bollywood. Undoubtedly, it’s a film which will score big time with the college audience. It has its heart at the right place. Second part could have better as it took a lot of time to come to the final point. Ranbir Kapoor is top notch and so is Konkana. Ayan has a bright future in the industry. As for you people, please go and watch this movie. Bunk college, school or whatever, just watch it. And who knows, Wake Up Sid may become a wake up call for you.

Rating –

Cast – Ranbir Kapoor, Konkana Sen Sharma, Anupam Kher

Music Director – Shankar Ehsaan Loy and Amit Trivedi

Movie Director – Ayan Mukerji

Post your comments, reviews and suggestions in the comment box below and I’ll reply to them.

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Dev D

“Oh My God!” can be the first three words for many avid Bollywood fans, who are not much into intellectual stuff in movies and take pride in enjoying brainless movies like Singh is Kinng, Golmaal Returns, Welcome etc. There are lots of reasons why Dev.D would take you by surprise but we will talk about them later.

After the not so successful No Smoking, Anurag Kashyap returns with his new offering, Dev.D, starring Abhay Deol, Mahi Gill, Kalki Koechlin in the lead. It’s true that No Smoking was not a commercial success but it was a classic film in its own right. We should always remember that “Every good film is not a hit and every hit film is not good.” But, Anurag Kashyap is one man who has the balls to try something new while other directors are simply going for soft porn to make money by using eye candies like Katrina Kaif.

Synopsis

So, did Anurag Kashyap deliver a classic again? Well, to be honest, he almost did. Let’s get straight to the point and say that Dev.D is a very good film but could have been much more. The story of Dev.D is somewhat based on Devdas, Devandar Singh Dhillon (Abhay Deol), a rich spoilt brat, comes from London to meet the love of his life, Paro (Mahi Gill), but due to some misunderstanding, their relationship fall apart and it leads to downfall of Dev. On the other hand, there is Chanda, a sweet innocent girl who found herself in an mms scandal and her life becomes a total chaos just because of one small “mistake”.

Dev.D depicts the relationship of Dev with these 2 women and how they affect his life.

Strong points of Dev.D

One of the strongest points of Dev.D is its treatment and the way with which the relationships were portrayed. For example; when Dev returns from London and meet Paro, they don’t sing songs and run around trees dancing, instead they are all over each other, sexually, that is, which is far more mature and more realistic.

Another strong point of the movie would be its language; no filmi dialogues, just straight to the point talk like we do in everyday with friends, it doesn’t matter how cheap they sound, they are realistic. For example; a guy says to Dev “I’m very surprised ki aapne abhi tak Paro ki lee nahi”, which translates in English as “I’m very surprised to know that you haven’t fucked Paro till now.” Boys would pretty much understand most of the things.

Add to all that, the abuses, smoking, drinking, drugs, and other “non-social activities” which you won’t find in a typical Bollywood film, you’ll find it here, no wonder it got an “A” certificate from the censor board. And thank God they didn’t censor out anything.

Superb Performances

Abhay Deol shines again, after giving a powerful performance in Oye Lucky! Lucky Oye! He is, undoubtedly, one of the most under-rated actors of our generation with Jimmy Shergill. He comes out to be totally natural as a drug addict, drunker, a smoker, and a heartbroken lover. Expressions come out naturally, and his performance can really teach some actors a lesson or two in acting.

Now let’s talk about the new girl, Mahi Gill. Honestly, it was a really tough and daring role for a debutant, with all the abuses, and ahem… sexual scenes. One note to readers, those scenes are a work of art and never appear to be as a cheap B-grade flick. Credit should go to both Anurag and Mahi for making it believable. Maahie has a lot of potential as an actress and is certainly better than many actresses in Bollywood, Katrina Kaif anyone?

A character which was not explored fully

For me, character of Chanda was the most interesting one, but sadly, due to poor acting of Kalki Koechlin, it was not exploited to its full potential. She was not able to make the character convincing, partly due to poor dialogue delivery and poor dubbing. To Anurag, you should have gone for a better actress, seriously.

I would have loved to see more of Chanda, like the psychological impact of the whole incident on her which includes the suicide of her dad after the scandal. As it was clearly inspired from the famous DPS scandal, it was a perfect opportunity to tell the world about the feelings of the girl, and all the hardship she had to go through because of one mms. But sadly, a perfect opportunity was lost.

Music

Music of Dev.D is pure genius. Amit Trivedi is the future of Bollywood’s music industry. His tunes are not your usual disco numbers or club bangers. Emosanal Attyachar is one of the best tracks of all time, without a doubt. It’s already a big hit in the whole country, and all the credit goes to Amit for the unique tune and to Amitabh Bhatt, for his witty lyrics. A classic in every field, kudos to both of you.
My other favorites are Nayan Tarse, Paayaliya, and Emotional Attyachar (Rock Version).

Why film didn’t work

One of the main reasons why film fail to capture your attention for the whole time is its slow speed and unwanted scenes which serve no purpose in the development of the story, especially the last 20 minutes. Dev could have realized his faults in a better and fast way than all that travelling to various places. Dubbing, as I pointed out, in Chanda’s case was bad.

Verdict

Dev.D, in a nutshell, is a very honest effort from the director, Anurag Kashyap. From acting to dialogues to music, everything is perfect. The realistic situations especially that of the villages, and their authentic Punjabi accent, adds for more value to the film. Cinematography is top notch, and so is the directing. But the movie lacks in the editing and screenplay department, which could have made the film a lot shorter and to the point.

One more point I would like to mention here is that Anurag tried to over-do dramatic and imaginary stuff, especially in the last 20 minutes. I hope you’ll read this so I want you to tell you that I’ve a lot of respect for your work. You’re one of the finest directors of our generation and people like you are a ray of hope for our industry, but sometimes you should control your style and stick to the point instead of creating various situations and scenes to prove one point. I know it’s your choice but as they say “too much of anything is bad.” I’m really looking forward to your next project, Gulaal. Trailer was really promising and I hope both Dev.D and Gulaal become successful at the box office. Best of Luck.

6 things you can learn from Dev.D

1. A very little communication gap is enough to kill a relationship
2. Never let your ego come in between your relationship.
3. Don’t drink, smoke and never do drugs.
4. Learn to move on and never let go the new girl because of a previous girl who is someone with else now.
5. Learn to manage your money.
6. And the most important, never call your dad with his name, say “Papa” or “Dad”.

Rating –

Cast – Abhay Deol, Mahi Gill, Kalki Koechlin

Music Director – Amit Trivedi

Movie Director – Anurag Kashyap

Post your comments, reviews and suggestions in the comment box below and I’ll reply to them and vote in the poll.

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4. Rab Ne Bana Di Jodi Music Review – Check out the music review of the most awaited movie of 2008.
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